The New Press has just released Front Lines: Political Plays by American Women, edited by Alexis Greene and Shirley Lauro.Front Lines is a pathbreaking collection of the most important, critically acclaimed plays written by the country’s leading con-temporary female playwrights. Including seven full scripts and accompanying materials, Front Lines provides both major ex-amples of the playwright’s craft and an essential introduction to the politically inspired work of female drama-tists of the twenty-first century.
Plays tell stories, and the best ones stay with us. Compiled by theater critic Greene (Women Who Write Plays) and playwright Lauro (Open Admissions), the stories in this collection of critically acclaimed works by seven leading female playwrights address some of the most contentious of contemporary issues, and they will stick in readers' minds for a long time. Cindy Cooper's Words of Choice looks at the
issue of reproductive choice in first-person accounts, poems, and satire. In Elliot, A Soldier's Fugue, Quiara AlegrÃa Hudes deftly interweaves the tales of three gener-ations of Latino men who served in Korea, Vietnam, and Iraq. The Exonerated, by Jessica Blank and Erik Jensen, is based on interviews with men and women on death row for crimes they did not commit. Also included are plays by Paula Vogel, Emily Mann, Lauro, and Nilaja Sun. Recommended for all academic and public drama collections.
Words of Choice, a compilation of first-person accounts, satiric sketches, and poems, illuminates the many angles from which Americans approach the issues of reproductive choice, especially the choice of whether or not to have an abortion. Among other things, the play is intended as a warning about the consequences of reversing the 1973 Supreme Court decision in the case of Roe v. Wade, which made abortion legal in the United States. A father describes how his daughter was assaulted and raped one Fourth-of-July evening, as she walked home through Washington, D.C. [originally from a book of interviews by Angela Bonavoglia.] There is an excerpt from entertainer Kathy Najimy's stand-up comedy show Parallel Lives and a sprightly riff about an imaginary "morning-after burrito" from Taco Bell [originally from The Onion.] There is also nurse Emily Lyons's account of being blown nearly apart by a bomb, which antiabortionist Eric Rudolph exploded at a Birmingham, Alabama, women's clinic in 1998. "I've been to war," Lyons says. "I've gone to hell, and I've come back."
Greene begins her comments by saying, "Playwrights have a responsibility to address the social and political issues of their time," and concludes with noting that the underlying political issue of all of the plays in the volume is the drive to preserve an individual's freedom."

